Bands had featured two singers before, but rarely had they merged so seamlessly as they did here. Then there was Linkin Park’s signature move: the deft vocal trade-off between singer Chester Bennington and rapper Mike Shinoda. Papercut, One Step Closer, Crawling, In The End, Points Of Authority – these were perfectly shaped anthems that were unafraid of leaning on other forms of music, whether it was the layered textures of electronic music or pop’s melodic endorphine rush. Hybrid Theory’s impact was largely down the brilliance of its songs. By contrast, this was the model of compactness at just 37 minutes, not one single second of which was wasted.īut brevity alone wasn’t what made it so great. ![]() ![]() Nu metal was becoming bloated on its own success – Limp Bizkit’s Chocolate Starfish., released one week earlier, clocked in at a patience-testing 75 minutes. Part of Hybrid Theory’s success was its directness. The result was a monster commercial hit that would do much to define the sound and style of the entire decade, influencing a generation of kids to form bands, among them Bring Me The Horizon and Architects. The scene, the LA six-piece delivered an album that laid a layer of all-too-human angst over its hip hop/metal/industrial fusion. Stripping back the frat-boy swagger that had come to define If Korn's self-titled debut album defined nu metal in the 1990s, Linkin Park’s Hybrid Theory redefined it for the 2000s.
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